That better aperture comes at a price. While the f/2.8 version was under $300, this one is just under $700. But if you’re using a zoom lens as a reason not to buy multiple prime lenses, it can be a great investment! My advice here is pretty similar to the architecture photos, but I think you can get away with an even lower focal length for landscapes since they’re often so broad, especially if you’re on top of a mountain or cliff. For professionals and discerning enthusiasts, the 14-24mm f/2.8 is Nikon’s top wide-angle zoom. Much lower and you get a highly distorted fisheye effect that can obscure the building (though this can be fun as well if used carefully! The price point on this lens is about the same as the previous one. They recently released their 24mm f/2.0 SSM Wide Angle Lens, but it costs over $1,200. Q: What is the best wide-angle lens for Nikon? Nikon D700 + Nikon 16-35mm f/2.8 | by SpaceX On a full frame camera, a wide angle lens is considered any focal length equal to or wider than 35mm. What Are Third Party (Nikon) Lenses? A prime lens only has one focal length, which means you’ll spend a lot of time as a photographer bouncing around your subject trying to find the right distance and angle to get the shot you need. Sigma has beautifully crafted this lens with 15 elements in 11 groups of optical design that delivers constant peripheral sharpness and brightness. Nikon AF NIKKOR 24mm f/2.8D Lens $391.95 This is why prime lenses are considered the best, most high quality lenses, and also why high quality zoom lenses tend to be much more expensive. You can use it to shoot wide scenes, or intimate portraits. I would also make sure you get yourself a graduated neutral density filter (GND) so your skies don’t come out too bright and the land too dark. Sigma art series sharpness and image quality have never disappointed their users, and the same is the case with this model while using sigma one doesn’t complain about any issues regarding sharpness. Sigma Art series has intensely taken over the market of Canon and Nikon’s lenses without a doubt. Since you can’t zoom in close to your subject with a wide angle lens, you can capture far more of a scene than you could with a non-wide angle lens. Hyper Sonic AF motor will allow this lens to focus accurately and quickly. It’s a good lens for someone who is happy with 20mm focal length and needs something fast and ultra wid. It’s a beautifully crafted lens that does wonders in various photographic conditions. But f/2.8 is a standard aperture for lenses at this price point and is perfectly acceptable for most well-lit situations. A focal length of 15mm can be quite bold and dramatic for landscapes. A: The following lenses are one of the best performing wide-angle lenses for Nikon FX-format cameras. Best APS-C Wide-Angle Zoom Lenses for Nikon Sigma 18-35mm f/1.8 DC HSM Art The Sigma 18-35mm f/1.8 is easily one of the best wide-angle zooms on the market. So, there you can use the advantage of zooming in and out to get your desired shot. This wide-angle zoom produces images of the greatest quality thanks to the lens’ super-low dispersion glass elements. This depends on the type of photographer you are! When it comes to performance and quality, it surely beats Nikon’s 16-35mm f/4G ED VR and 18-35mm f/3.5-4.5G ED so if you’re looking for an all-in-one deal, then this thing is what you need to complete your camera gear. This is a big plus! The following Full frame Nikon DSLR cameras are directly compatible with FX lenses (source: Nikon USA). Some might think that dates just back to the 17-35mm f/2.8, but no, it goes much further back than that. I'm finally upgrading to a Nikon D750 after being with a D7100 for a long time! Tamron’s updated version G2 is an excellent choice to carry on. Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras. The constant f2.8 aperture will give you a stunning creamy bouquet that you would love to see. With this Rokinon 14mm f/2.8, you can capture a bigger part of the scene in one photo thanks to the ultra-wide angle of view. This is a fairly heavy lens at 2.5 pounds, so if you’re traveling with this lens it’s unlikely you’ll want to carry around much else. It lacks image stabilization, but if it’s not a big deal for you, then you should consider taking this Sigma art series lens for your camera gear. This is great for exciting and dramatic views, but not so great for portraits, because fisheye lenses tend to distort things. Nikon Super Integrated Coating (SIC) improves light transmission efficiency. That’s the reason Nikon is still charging a higher price tag for it till today. Getting both isn’t really necessary. A: A lens with a focal length of 35mm or wider is considered to be a wide-angle lens, but lenses with a focal length around 24mm or wider like 14mm, 12mm, 10mm, etc., are to be considered as ultra-wide-angle lenses. However, It’s quite expensive at just over $1400. There are benefits to both types of lenses. This, coupled with its powerful autofocus, means you can use quicker shutter speeds to capture objects in motion. For aperture, though, the answer is a bit more clean-cut. It’s definitely more on par with an extreme wide angle lens and can be used for more artistic shots. At a 12mm prime focal length, this starts to go into the extreme end of the wide angle spectrum (which is also what “fisheye” means in the name). This lens is optimized for edge-to-edge sharpness and enhanced with ED (Extra-low Dispersion) Magic glass to get sharper images and better light transmission. But practically when you shoot at 14mm and then respectively at 12mm, you’ll be able to realize that it makes a solid impact on the view. While investing in a wide-angle lens, many photographers get confused that what lenses or focal lengths are ideal for their needs, so we hope this guide will resolve the confusion, and you will find it helpful in choosing the best wide-angle lens for Nikon FX. Is the Tokina 19-35 lens the cheapest AF Wide Lens for Nikon Full Frame (Nikon FX/FF) cameras?? But that’s worth checking for your camera if autofocus is important to you. Ideally I'd grab a Nikon 24-70 2.8 but until I save up a little further that's outside of the budget. Hope you find them helpful, don’t hesitate to leave a comment! These lenses are an ideal choice for photographing landscapes and interiors as well. For landscape photographers, the Nikkor 16-35mm f/4G ED VR is one of the best Nikon travel lenses that they can own. Nikon AF-S DX 10-24mm f/3.5-4.5G ED Check the latest price on Amazon. This wide angle zoom lens goes between 14-24mm, making its range more similar to the Tamron. It is one of Nikon’s fastest ultra-wide-angle lenses with f/1.8 aperture ready for any kind of shooting in various conditions and provides really good control over depth of field. The most extreme of low focal length lenses are wide angle and fisheye lenses. A 28mm focal length is not an extreme wide angle, so this lens is versatile enough to be used for things like portraits and weddings as well as broader views. It comes with rounded 9 blade diaphragm which delivers a stunning bokeh quality, and Tamron has enhanced this lens with latest optical technology and 18 elements across 13 groups, including three low dispersion and eXpanded Glass Molded (XGM) element. I think the best focal length for this type of photography is around 20-24mm. Wide angle lens; Wildlife lens; Landscape lens; Macro lens; Sports lens; Travel lens; more Lens mounts. The 20-35mm f/2.8 was a top-performing lens of its day, and even the older wide angle zooms in the AI/AI-S era were quite good compared to anything else you could get at the time. The first, less expensive lens has an f/2.8 aperture, and this one has an f/1.8. Nikon AF-S 16-35mm f/4G ED VR is a solidly constructed lens with latest technological features like VR image stabilization, Silent Wave Motor for fast and accurate focus, weather sealing, Nanocrystal coating, and 2 ED (Extra-Low Dispersion) glass elements and 3 aspherical lens elements that help in providing stunning sharp images with high resolution and also it’s a light weighing lens with  a reasonable price tag so don’t forget to add it to your wishlist. It’s measured in millimeters and refers to the distance between where the light hits the lens and the image sensor. But you could always shoot with the f/1.8 lens at f/2.8 by changing the camera settings! Lower aperture numbers mean more light can be let into the camera for a given shutter speed. And unless you’re only shooting in the middle of the night, f/2.8 aperture should be just fine. Lenses are not great multitaskers. When it comes to the price tag, the Sigma has gone overboard and delivered such a quality lens technology that is worth more than the price. But there is one major difference: the aperture. Tamron 15-30mm f/2.8 One of my favorite wide angle lenses I’ve used is the Tamron 15-30mm f/2.8. CHECK PRICE ON AMAZON . I’m amazed by some of the results you can get with this lens when you open it up wide, point it at the sky, and hit the shutter. It’s a great budget lens for all professional photographers out there! I think this is a lot of fun, and a better way to take a lot of cool pictures than just sitting in one spot adjusting the zoom. The difference between a 12mm lens as compared to 14mm focal length doesn’t seem a huge difference, right? The Nikon AF-P DX Nikkor 10-20mm f/4.5-5.6G VR is an inexpensive, light, compact and fantastic lens to use. Yes, this lens can’t beat the sharpness and image quality of Nikon’s 14-24mm, that one is an all-rounder and that is the reason why Nikon is charging so much for that beast but overall Nikon’s 16-35mm is reliable and a good quality product with Nikon’s latest optical technology features, Silent wave autofocus motor and VR image stabilization system. All images published at are either ours, authorized by the photographer, or published under creative commons commercial use license. F/1.8 or f/1.4 all the way! If I try to take a photo at 24mm focal length with both a prime lens and a zoom lens at around the same price, there’s a good chance that the prime will take a better photo. I hope this guide will help you pick your first wide angle lens for a nikon FX mount full frame camera, and maybe you even learned something about lenses in general for your future shopping. But for a lens that can do so many jobs, and very well at that, I think of it like an investment. A: Yes, the 24mm lens is good but not ideal for landscape photography. This does come at a slight cost of quality, however. If you’re committed to photography as a hobby, or are a professional investing in equipment, it’s definitely a justifiable purchase. But it can’t really compete with the previous two prime lenses in terms of overall sharpness and clarity of the images, especially with an aperture of f/2.8 instead of f/1.8. You tend to find a lot more variety in brands and price points if you shop for lenses for a DX (crop frame) cameras. This can be excellent if you do a lot of fieldwork or if you’re traveling and don’t want to be weighed down with a bunch of different prime lenses. Q: What is the best wide-angle lens for landscape photography? With the 8 mm circular, you get a 180-degree viewing angle, and that can produce some incredible circular landscape photos. On the other hand, zoom lenses work across a range of focal lengths, letting you greatly vary the types of photos you can take with just one lens. It’s exceptionally sharp, autofocus is fast and accurate, and the f/2.8 maximum aperture is impressive for a … Nikon’s first ultra-wide-angle lens with second-generation VR II (Vibration Reduction) image stabilization system to minimize camera shake up to 2.5 stops. The same f/1.8 aperture gives you plenty of low-light shooting options, and that large aperture also produces gorgeous background blur. From 24mm and wider, we’re entering ultra-wide angle lens territory. Before getting into too much detail about this Rokinon lens, something I want you to keep in mind is that you always have to check compatibility of a lens you buy online with your camera, especially for non-Nikon brand lenses. This might be a shortcoming for you if you are a new photographer and are used to using zoomable lenses, but prime lenses tend to be better quality than zoomable lenses. The auto-focus is quite quick and accurate when it comes to interiors, landscapes, or street photography; this lens will do a great job in such situations. One detail to note about the lens is that it is a prime lens. With an f/2.8 aperture, this lens won’t capture quite as much light as some of the more expensive lenses with the same focal length, like the Nikon AF FX NIKKOR 28mm f/1.8. Zoom lenses combine the capabilities of both. A: Never use a lower f stop while shooting landscapes because, in landscape photography, one always wants more scene to be in focus in the frame. Nikon has built it with solid premium material and sealed it well to ensure that the dust particles and moisture doesn’t harm the lens in any way. That means images will reveal themselves fairly close to what you imagined—that is, of course, if you know what you’re doing. A: It’s a perfect lens for people who travel a lot; you can take really good pictures of cityscapes, landscapes, and a large group of people in one frame with a 10-20mm lens. And because aperture can be varied with the camera settings, having a lower aperture number (AKA a wider aperture) only gives you more and better options as far as types of photos to take. One fun thing to try with a wide angle lens is using it with a tripod and longer exposures for astrophotography. It’s an ideal lens for indoor shoots, landscapes, wedding photography, cinematography, astrophotography, etc. If you’re ready to make a serious investment in wide-angle photography, I think this is a truly excellent choice. Nikon AF-S FX. This makes it the best for night sky photography, but also makes it great for capturing objects in motion, or really any shot you can think of. If 35mm is a little too wide for your tastes, then the perfect alternative is Nikon's 50mm f/1.8G. Like 0. The Tokina AT-X 16-28mm f/2.8 PRO FX is a lens designed specifically for Nikon FX cameras. Definitely stick to landscapes, architecture, and even wildlife. In fact, this FX lens is pretty similar to the last one. 1. Unlike focal length, which only changes if you have a zoom lens, aperture can be adjusted manually or automatically by the camera for different kinds of shots. While both of the lenses are capable of capturing the same views, this lens can let in much more light through its aperture. The best thing about this lens is that one can carry it all the time without any burden as it weighs only 355 g becoming one of the lightest weighing lenses in the wide-angle category. Diagonal fisheye lenses correct for this so the distorted image takes up the whole frame. This is likely a lens for professional photographers. This is the lens that put Nikon on the map for wide-angle landscape photography. But the convenience of carrying around one zoom lens instead of multiple prime lenses is highly valuable if you’re traveling or shooting out in the field. In fact, we’re headed to the part of the list where we’ll see some more expensive lenses overall. Nikon’s 14-24mm is incorporated with both Nano Crystal and Super Integrated Coating that improves the overall image quality and lessens internal reflection and flare effect. As far as focusing, it can autofocus, but only if your camera has its own autofocus motor, which many newer cameras do. A lens this good doesn’t come cheap. Runner-up. This lens can also be used with Nikon DX cameras, with such a good reasonable price tag one should keep this lens in their camera kit. Definitely a good enough lens for commercial-quality photography. There is a handy compatibility checker tool available on the Amazon listing page for this lens. This guide is specifically about FX (full frame) wide lenses. Sigma has enhanced it with its super multi-layer coating that minimizes flare and ghosting and provides well-saturated contrast images in a variety of lightning conditions. Required fields are marked *. But its ability to zoom all the way to 70mm, which is a medium telephoto length, makes it a highly adaptable lens. Especially for travelers who need to carry a lightweight lens with them for landscape or nature photography, it’s a well-suited item for them to add up in their wishlist. It captures stunningly beautiful wide angle images. The good news about landscape and architecture photographers is that this lens allows you to create stunning images with zero distortion. It has produced a stunning looking lens with premium quality components that are in accordance with today’s need. So in our opinion, it’s a good lens to combine with your camera gear in the category of fisheye lenses by Nikon. Here’s some advice by category: One thing I really like when capturing photos of architecture with wide angle lenses is combining details from the buildings with broad, sometimes distorted views of the shape of the buildings. The lens features Nikon’s Silent wave motor for smooth, fast and accurate focus system. Best Budget. Its price is close to that of the 24-70mm as well. Sigma’s 24mm f/1.4 Art lens has been enhanced with premium three FLD and four SLD glass elements that minimize aberrations and distortion issues, which is one of the common issues with almost all the wide-angle lenses. The photos that this camera produces have an awesome resolution, are generally free of optical blemishes and just drop-dead gorgeous. Nikon AF-S Fisheye Nikkor 8-15mm f/3.5-4.5E ED, Frequently Asked Questions (FAQs): About Wide Angle Lenses For Nikon. It’s all a balance of your needs verses what you’re able to spend. This lens is capable of providing excellent center sharpness throughout all the zoom ranges. This refers to how far the camera opens to let light in when you hit the shutter. The latest AF-S Fisheye Nikkor 8-15mm ED lens has literally replaced all the older fisheye lenses that had been ever made by Nikon. Among these lenses, the Nikon AF-S DX NIKKOR 35mm f/1.8G lens is probably the best budget wide-angle lens you can find for Nikon cameras. It delivers highly sharp image quality while managing to give good contrast too, and with a weather-sealed moisture-resistant construction, one can shoot in various atmospheres. Buying this one incredibly high-quality lens saves you from having to buy a few different, cheaper lenses. Even on maximum aperture at f1.4, this lens reduces flare and ghosting for higher contrast and color fidelity all thanks to Sigma’s super multi-coating to the lens elements too. But the real deal is knowing which wide-angle lenses are best for this purpose because not all lenses are that good at capturing the moment in a perfect artistic way without losing the details and beauty of the scene being captured. This means your shutter speed (the speed the aperture opens and closes) can be faster without losing light, which is great for moving subjects. In low light conditions, one doesn’t have to worry as with f/1.8; this lens can easily handle difficult lightning conditions. A fantastic lens, but not exactly budget. When it was first launched, this Tamron lens set a new 2.4x zoom range record for a super-wide-angle lens. This is where this lens truly shines. Tamron’s SP 15-30mm f/2.8 updated G2 version is a good combo for both photographers and especially for those who are into videography and cinematography too. When you use slower shutter speeds, you get much more light hitting the sensor. Another important consideration is that this is a diagonal fisheye lens. Here are the best Nikon wide angle lenses in 2020. It is wide with an exceptional zoom range, and when it comes to image quality, it works really great in that area too. What experiences have you had with wide angle lenses? This lens has a lot in common with the first one I listed, the Nikon AF FX NIKKOR 28mm f/2.8D Lens. A hobbyist might not see the benefits clearly enough to justify such an expense. Your email address will not be published. A favorite among professional Nikon users, the Nikon AF-S FX NIKKOR 24-70mm f2.8E ED VR lens offers maximum versatility and image quality. It’s got a standard wide-angle focal length of 35mm, which closely matches that of the human eye. 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